The Long Haul - QA TEST

INT. DINER - NIGHT (p. 2). Dale lifts a can of cold brew coffee into the light and turns it over slowly, suggesting contemplation or need for a boost.

EXT. HIGHWAY - DAY (p. 2). The camera lingers on a glass bottle of cola beside Rosa Lindqvist as she travels, implying refreshment on a long journey.

INT. MOTEL ROOM - NIGHT (p. 3). Junior Boyce sets a can of shaving cream down on the counter where everyone can see it, showcasing a personal care routine while traveling.

INT. WAREHOUSE - DAY (p. 5). Hank Osier stares at an acoustic guitar, hinting at a character's hobby or a moment of reflection amidst a tense situation.

INT. WAREHOUSE - DAY (p. 5). Hank lifts a paper cup of diner coffee into the light and turns it over slowly, a common item for long-haul drivers or early mornings.

EXT. PARKING LOT - NIGHT (p. 6). Dale Mercer lifts a deck of playing cards into the light and turns it over slowly, implying downtime or a moment of strategy.

INT. APARTMENT - LIVING ROOM - DAY (p. 7). Rosa Lindqvist slides a bag of potato chips across the table toward Junior Boyce, depicting a casual, shareable snack.

EXT. SMALL TOWN MAIN STREET - DAY (p. 7). Junior Boyce stares at a heavy analog wristwatch, emphasizing time or a significant moment.

EXT. SMALL TOWN MAIN STREET - DAY (p. 7). The camera lingers on a tube of toothpaste beside Junior Boyce, a brief but clear visual of a personal care item.

EXT. SMALL TOWN MAIN STREET - DAY (p. 7). Junior Boyce sets aviator sunglasses down on the counter, making them visible and highlighting a character's style.

INT. RADIO STATION - STUDIO - NIGHT (p. 9). Fran Tully sets a battered red pickup truck (toy or model) down on the counter, potentially revealing a sentimental item or a connection to vehicles.

EXT. DESERT REST STOP - DAY (p. 10). Hank Osier sets a can of cold brew coffee down on the counter, implying a need for a quick pick-me-up during travel.